Analysis Of Spielberg s Schindler s List Uses A Variety...

Spielberg’s Schindler’s List uses a variety of macro and micro techniques that are effective in eliciting strong emotional response form the spectator. Unlike horror films, which rely on micro techniques to create tension or foreshadowing, Spielberg relies on unconventional techniques that are often juxtaposed to have the spectator feel unsettled. Despite not being a horror film, it is compatible to through the lack of violence in the film and the context of the Holocaust. Therefore, as a spectator, it is clear that ‘horror’ in a horror movie differs greatly to ‘horror’ in this particular film because of Spielberg’s raw and authentic style in making the spectator feel unease as the narrative progresses. Firstly, one of the most important scenes in the film is when a Jew pretends to be an officer to fool the approaching Nazi guards. Spielberg’s use of a wide shot has the spectator focus on the character rummaging through the suitcases, which essentially builds the tension in the scene, as the focus on the background of the Nazi guards approaching without the use of sound immediately triggers a response of anxiety as the spectator feels they are to witness another massacre. This response of anxiety is elevated further through the box-like framing having Goeth on the left and his other henchmen on the right, trapping the Jew who is in the middle. Like horror many films, the directors choose to leave the audience guessing and using their imagination rather than just explore